ABSTRACT. The aim of the present study is to examine and evaluate the logic of musical ideas that corresponds to the phenomenological character of music, listeners’ mental representations of sound, and ‘sound’ evaluation of music performers. I am specifically interested in how previous research investigated the art and logic of the composer, the imaginary status of musical “works,” and the formulaic nature of musicological knowledge. pp. 144–149

Keywords: logic, musical idea, sound, composer, performer